PANOPTICON
A microcosmic re-interpretation of the Panopticon
as conceptualized by Jeremy Bentham.
Multimedia Installation
Mass Gallery
2007
In 1791, Jeremy Bentham envisioned the Panopticon to be a prison designed around a central guard tower from which prisoners could be surveyed from behind venetian blinds at any moment without their knowledge. The omnipresent threat of surveillance was designed to keep prisoners in check even when they were not being watched.
This installation, a microcosmic re-interpretation, utilizes video projections, video installations, two-way mirrors and peephole cutout paintings set within a network of corridors. One may discreetly watch others interacting with the space through the two-way mirrors or peephole paintings while potentially being spied on oneself. This situation of the watchers watching the watchers ad infinitum is reminiscent of the Panoptic model as explored in Michel Foucault's Discipline and Punish.
A true Panopticon prison was never actually constructed. However, many aspects of its concept have surfaced in contemporary life thanks to surveillance technologies Bentham never could have envisioned, rendering the actual construction of a Panopticon prison superfluous.
Thus, rather than being a literal reconstruction of Bentham's model, this installation seeks to create a sensory environment that merges the surveillance societies explored by both Foucault and Bentham.
It is important to note, unlike Bentham's Panopticon, this model of the Panopticon contains no doors. You are free to leave at anytime.
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